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I might look into that lens :)
As you certainly already know, old lenses manufactured in the USSR are both plentiful and inexpensive. I went on a bit of a vintage lens kick a few years ago and bought two versions of the Helios 44, two copies of the Jupiter-8, and the Helios F-92 all for a total of less than US$300. Perhaps is little as US$200.
 
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The Helios 44-2 58mm f/2, which is an earlier version of the excellent 44-7. @gnarlydogOZ has already posted some fine examples using the latter.

Here is a fun shot from the end of a portrait session. Once the money shot was on the card, I dismounted the trusty 70-200 and mounted the 44-2, a.k.a. "the swirly bokeh monster" for a few more frames. I have yet to find a client who will pay for such an image, but I do get some personal enjoyment from them.
Osten 20191105_16 261082.jpg
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Have you tried any of the Nikkor rangefinder lenses? I have really enjoyed using the W-Nikkor 35mm f/2.5 on a Z body. Some examples here:

W-Nikkor 35mm Examples
I don't own any rangefinder lenses from Nikkor, except the 10.5cm f2.5 and that is no small/light lens
But the one you propose is indeed diminutive, almost as small as some of those I have refitted from fixed-lens rangefinders
Then I had a quick look on evilBay... ouch ?
 
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The Helios 44-2 58mm f/2, which is an earlier version of the excellent 44-7. @gnarlydogOZ has already posted some fine examples using the latter.

Here is a fun shot from the end of a portrait session. Once the money shot was on the card, I dismounted the trusty 70-200 and mounted the 44-2, a.k.a. "the swirly bokeh monster" for a few more frames. I have yet to find a client who will pay for such an image, but I do get some personal enjoyment from them.
View attachment 1689163
I am in two minds about the Helios 44-7 vs the 44-2.
One renders a bit sharper but the low-count aperture blades give ugly bokeh balls if stopped down.
While the 44-2 might be less sharp I do like how it renders maybe a bit more for portraits and then there is the round iris when stopped down.
I do like speckled highlights but your sample above is maybe just a tad heavy (distracting) for a portrait.

And what people pay money for is often not exactly an artistic photograph: most folk's taste is rather simple ;)
 
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In the search for a compact adapted fast "normal" vintage lens I am now on my 3rd try: a Helios-103 53mm f1.8, (from the 80's) that some call the Russian Summicron (Leica)

My goal is to have a travel lens that is light and small (mostly travel by motorcycle where size does matter) and I want to reduce bulk.
I don't want a modern lens (most don't render the bokeh like I want with a 3D pop caused by a bit of swirl, instead of just creamy) so a simple optical design with less glass elements is necessary.
So far the best candidate for sharp images even wide open is the Contax/Kiev mount Helios-103 with its whack mount.
I refitted mine into a Pentax helicoid (broken lens) with MFD down to 40cm.
First test shot gives me the desired bokeh with a hint of cat-eye bubbles in the speckled highlights ?

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Helios-103_DVZ_1387 by gnarlydog, on Flickr
 
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A field trip with the newly refitted Helios-103 53mm f1.8 proved to NOT be the go-to lens I was hoping.
I could not figure out why wide open exposures only the central part remains in focus while the edges are so soft, with subjects mid-field.
Then I examined some images carefully and noticed that it has a dreadful field curvature ?
Stopped down I gain more depth of field but I also loose the subtle bokeh
The search continues...

Here it shows how a wide open image looks like (edited to taste: vignette, but bokeh remains unaltered)

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harvested by gnarlydog, on Flickr
 
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Nikon 35mm f/2.8 Nikkor-S Auto on Nikon Df

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Nikon 28mm f/2.8 AIS on Nikon Df

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Nikon 135mm f/3.5 AIS on Z6

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Nikon 105mm f/2.5 AIS on Df

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Nikon 55mm f/3.5 Macro on Df

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That's interesting that you get bubble bokeh with yours. Mine does super smooth bokeh. These are with the Pentacon 135mm f2.8 15 blades, and a Fuji XT-2. I apologize for polluting this thread with a Fuji camera, but I haven't used this lens like this on the Z7 yet. The first picture are service berries, the next two are mountain ash.

View attachment 1689579

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thank you for bringing these to my attention: I was wrong. ?
Quickly reviewing my images taken with the Pentacon (mind you on Micro 4/3) I indeed see nothing but smooth bokeh, like you show on the Fuji.
I must be mistaken with some other lens ( I have a few :shame: )
 
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A very hefty lens (by my standards) has find new life on the Nikon Z.
It certainly wasn't worth schlepping around the big chunk of metal and glass from a Russian projector if I mounted it onto a 4/3 sensor, since only the central portion of the image circle was visible, so that lens stayed at home ?

A very different story on a larger sensor where I can see the "wonderful" quirky bokeh of the edges caused by a very curved focus field. Of course, not a lens for general photography but I wonderful tool for creating images that are different (more striking) than with an iPhone ?

Russian cine projector lens 35KP 1,8/120

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with 35KP-1,8/120 by gnarlydog, on Flickr
 
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I think I have finally found a lens that I can use as a "standard" on my Nikon Z for general photography.
After trying a few refitted lenses from fixed-lens rangefinders (Canonet and Konica S) I think the Yashica Electro with its Yashinon-DX 40mm f1.7 comes on top.
The lens is lighter than the other two, much sharper right across the frame (flat field) and with good colors and contrast.

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Bertina on Yashinon 40mm 1.7 by gnarlydog, on Flickr

I was half eyeing the newly released native Nikkor Z 40mm f2 but I think this Yashinon will be my preferred lens since I like the bokeh more than in the modern lens.
Of course I am not that much into sharpness but more into the quirky OOF areas with a hint of cat-eye speckled highlights that simpler optics give me.
Extracting the lens from the dead body of the Yashica and modifying the shutter (jam it open) was a bit tricky. I did not use the original helicoid but refitted the optical block onto a short aftermarket M42 helicoid (13mm-22mm) that gives me perfect infinity.
On the new helicoid I can focus down to 25cm! ?

EDIT: Image of the Yashinon 40/1.7 refitted onto the Nikon Z

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Yashi 40_1.7_1 by gnarlydog, on Flickr
 
Last edited:
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I was half eyeing the newly released native Nikkor Z 40mm f2 but I think this Yashinon will be my preferred lens since I like the bokeh more than in the modern lens.
LOL. I preordered the Nikkor Z 40mm f/2 because I specifically don't want any more Frankenlenses. Now if I can just get home to catch up with my UPS deliveries, I can actually use it. Still, I admire your dedication to the task of keeping vintage lenses relevant. Kudos to you!
 
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LOL. I preordered the Nikkor Z 40mm f/2 because I specifically don't want any more Frankenlenses. Now if I can just get home to catch up with my UPS deliveries, I can actually use it. Still, I admire your dedication to the task of keeping vintage lenses relevant. Kudos to you!
ha, how different we all are ?
I have a case full of native AF lenses (for Micro 4/3) and then a bunch of adapter or refitted.
Some of the native ones have barely been used, while the favorite vintage one are always with me.
For Nikon Z I decided I don't need any native glass as I am more drawn to the creative part of photography versus convenience/ease of use/ultimate sharpness
 

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