That's one of the most appealing aspects for me of doing tabletop photography. I'm in nearly complete control of what I want to appear in the photograph, whether it's in the physical scene at the time of capture or the result of post-processing.
As just one example, I don't think I've ever used even just one texture exactly as is; I've always either used several copies of it in the same photo, turned it, enlarged it, made it smaller, partly desaturated it, blurred it, erased part of it, etc., etc., etc. Add to all of those possibilities that I can also use whatever blending mode I want and at whatever opacity I want, which sometimes radically changes the overall appearance of the texture.
I find the textured versions, for the most part, more interesting.
When I post an image in this thread, I do so because I prefer the version that includes the texture. Only certain images are candidates for adding a texture. Some of the images that I have added a texture to end up being deleted but so far that has been at the most two images.
The really nice feature of having the textures so readily available thanks to the artificial intelligence built into the software is that I can plan to use a particular style of texture or maybe even a particular texture before I construct the setup in my makeshift studio. That newly added part of my workflow is a whole new way of considering how to present a particular subject. That's because I can use textures to create a lot of moods and appearances that would not be remotely practical to create as part of the physical scene in the constraints of my makeshift studio.
