Was over at my local gorgeous flowers arboretum (Reeves-Reed Arboretum, Summit, NJ) shooting daffodils when I heard the sounds of a family in conflict. They'd brought their daughter to the arboretum after first communion for pictures with the pretty flowers in the background. Unfortunately, they were letting her brother run the show (teeny digital point and shoot on a big tripod, but even bigger voice ordering his sister around, and finally with Mom's permission.)
'Twas awful. They had daughter facing into the sun, and ten minutes into it, budding photographer son had taken maybe two pictures and everybody hated both of them. The noise and bad karma flying around was driving me insane, so I picked up my gear and went over and offered a lesson to sonny. In less than two minutes I banged off 14 shots, talking the whole time to sonny about what I was looking for, why I was placing her the way I was and framing the images the way I was, and why I was asking her to do the things I was (I didn't tell him this, but it was mostly to distract her so she'd be less grumpy looking...) I showed him in the LCD what I was getting. Promised Mom that she could have whatever image they wanted, printed up nicely, so they could go home. Got my silence back a few minutes later so I could concentrate again. Worth every second.
The only portrait-y lens I had in my bag was the 70-300ED (non-G) which is a pretty good lens, my humble opinion. Used the SB80DX for front-lighting, sun behind her to light the veil and reduce the hot red spots developing on her face from sun exposure. Also for nice catchlights in her eyes. Diffuser on, although really dancing the edge of the flash's range that way. I happen to like shooting pictures like this underexposed and then pulling up the midrange exposure so that I have white daffodils in the background when I'm done instead of white splotches.
First, the straight "here's what Mommy had in mind" shot.
Second, a picture I thought the little girl would appreciate when she grew up, looking smart, sophisticated, and a bit sassy. Stage direction: I'll bet you know a secret about your brother that nobody else knows...do you?
Another straight shot, trying to catch the essence of what first communion means - she's growing up, not just little girl anymore but a young member of the adult community she's being raised in. Stage direction: OK, be serious, show me how you stood while you were waiting for your first communion. Wow, what a big girl!
Now, I have a rule, which is don't stop shooting just because something you want to happen isn't happening. The little girl had had enough, and turned sideways to get something off her arm that had fallen there, and stood for a few seconds with her eyes closed before turning back towards me. I kept shooting, and got this - which is nothing I'd typically want, except that as soon as I saw it on the screen, I saw...
...this, which is a style I've been playing with. No stage direction at all, she was taking a break, and I was just shooting because I've always found that breaks often produce the most interesting images.
Comments welcome. Wish I'd have had 20 minutes to shoot, and my usual lenses, but feel pretty good with what I got. (And Mom now wants me to shoot portraits of the whole family, individually and a group family portrait. I'll enjoy the first, but boy do I hate group shots...so hard to catch everyone with a good expression.)
'Twas awful. They had daughter facing into the sun, and ten minutes into it, budding photographer son had taken maybe two pictures and everybody hated both of them. The noise and bad karma flying around was driving me insane, so I picked up my gear and went over and offered a lesson to sonny. In less than two minutes I banged off 14 shots, talking the whole time to sonny about what I was looking for, why I was placing her the way I was and framing the images the way I was, and why I was asking her to do the things I was (I didn't tell him this, but it was mostly to distract her so she'd be less grumpy looking...) I showed him in the LCD what I was getting. Promised Mom that she could have whatever image they wanted, printed up nicely, so they could go home. Got my silence back a few minutes later so I could concentrate again. Worth every second.
The only portrait-y lens I had in my bag was the 70-300ED (non-G) which is a pretty good lens, my humble opinion. Used the SB80DX for front-lighting, sun behind her to light the veil and reduce the hot red spots developing on her face from sun exposure. Also for nice catchlights in her eyes. Diffuser on, although really dancing the edge of the flash's range that way. I happen to like shooting pictures like this underexposed and then pulling up the midrange exposure so that I have white daffodils in the background when I'm done instead of white splotches.
First, the straight "here's what Mommy had in mind" shot.
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Second, a picture I thought the little girl would appreciate when she grew up, looking smart, sophisticated, and a bit sassy. Stage direction: I'll bet you know a secret about your brother that nobody else knows...do you?
Subscribe to see EXIF info for this image (if available)
Another straight shot, trying to catch the essence of what first communion means - she's growing up, not just little girl anymore but a young member of the adult community she's being raised in. Stage direction: OK, be serious, show me how you stood while you were waiting for your first communion. Wow, what a big girl!
Subscribe to see EXIF info for this image (if available)
Now, I have a rule, which is don't stop shooting just because something you want to happen isn't happening. The little girl had had enough, and turned sideways to get something off her arm that had fallen there, and stood for a few seconds with her eyes closed before turning back towards me. I kept shooting, and got this - which is nothing I'd typically want, except that as soon as I saw it on the screen, I saw...
Subscribe to see EXIF info for this image (if available)
...this, which is a style I've been playing with. No stage direction at all, she was taking a break, and I was just shooting because I've always found that breaks often produce the most interesting images.
Subscribe to see EXIF info for this image (if available)
Comments welcome. Wish I'd have had 20 minutes to shoot, and my usual lenses, but feel pretty good with what I got. (And Mom now wants me to shoot portraits of the whole family, individually and a group family portrait. I'll enjoy the first, but boy do I hate group shots...so hard to catch everyone with a good expression.)
